The collection is made from tiles obtained from a new recycled glass paste with clay that integrates pigmented recycled glass, offering surprising results in terms of colour.

Perle is offered in three shades of beige, grey and anthracite, transformed by the pigments in the glass, which take on different nuances when fired.

The collection is made from tiles obtained from a new recycled glass paste with clay that integrates pigmented recycled glass, offering surprising results in terms of colour.

Perle is offered in three shades of beige, grey and anthracite, transformed by the pigments in the glass, which take on different nuances when fired.

The collection is made from tiles obtained from a new recycled glass paste with clay that integrates pigmented recycled glass, offering surprising results in terms of colour.

Perle is offered in three shades of beige, grey and anthracite, transformed by the pigments in the glass, which take on different nuances when fired.

The collection is made from tiles obtained from a new recycled glass paste with clay that integrates pigmented recycled glass, offering surprising results in terms of colour.

Perle is offered in three shades of beige, grey and anthracite, transformed by the pigments in the glass, which take on different nuances when fired.

The collection is made from tiles obtained from a new recycled glass paste with clay that integrates pigmented recycled glass, offering surprising results in terms of colour.

Perle is offered in three shades of beige, grey and anthracite, transformed by the pigments in the glass, which take on different nuances when fired.

The collection is made from tiles obtained from a new recycled glass paste with clay that integrates pigmented recycled glass, offering surprising results in terms of colour.

Perle is offered in three shades of beige, grey and anthracite, transformed by the pigments in the glass, which take on different nuances when fired.

The Micro Multiplem collection expresses the multiple essence of matter, glass and clay, with its colours, blends and new decorations.

It’s a design that started out by studying the geometrical shape of a square, decomposed into its smallest primary forms, such as triangles and trapeziums which become architectural-like structures. The iridescent surface and patterns, engraved by hand emphasise the visual and tactile aspects of these.

The colours are the result of research on unifying the nature of the territory with tradition, culture and material.

The Micro Multiplem collection expresses the multiple essence of matter, glass and clay, with its colours, blends and new decorations.

It’s a design that started out by studying the geometrical shape of a square, decomposed into its smallest primary forms, such as triangles and trapeziums which become architectural-like structures. The iridescent surface and patterns, engraved by hand emphasise the visual and tactile aspects of these.

The colours are the result of research on unifying the nature of the territory with tradition, culture and material.

The Micro Multiplem collection expresses the multiple essence of matter, glass and clay, with its colours, blends and new decorations.

It’s a design that started out by studying the geometrical shape of a square, decomposed into its smallest primary forms, such as triangles and trapeziums which become architectural-like structures. The iridescent surface and patterns, engraved by hand emphasise the visual and tactile aspects of these.

The colours are the result of research on unifying the nature of the territory with tradition, culture and material.

The Micro Multiplem collection expresses the multiple essence of matter, glass and clay, with its colours, blends and new decorations.

It’s a design that started out by studying the geometrical shape of a square, decomposed into its smallest primary forms, such as triangles and trapeziums which become architectural-like structures. The iridescent surface and patterns, engraved by hand emphasise the visual and tactile aspects of these.

The colours are the result of research on unifying the nature of the territory with tradition, culture and material.

The Micro Multiplem collection expresses the multiple essence of matter, glass and clay, with its colours, blends and new decorations.

It’s a design that started out by studying the geometrical shape of a square, decomposed into its smallest primary forms, such as triangles and trapeziums which become architectural-like structures. The iridescent surface and patterns, engraved by hand emphasise the visual and tactile aspects of these.

The colours are the result of research on unifying the nature of the territory with tradition, culture and material.

The Micro Multiplem collection expresses the multiple essence of matter, glass and clay, with its colours, blends and new decorations.

It’s a design that started out by studying the geometrical shape of a square, decomposed into its smallest primary forms, such as triangles and trapeziums which become architectural-like structures. The iridescent surface and patterns, engraved by hand emphasise the visual and tactile aspects of these.

The colours are the result of research on unifying the nature of the territory with tradition, culture and material.

The Micro Multiplem collection expresses the multiple essence of matter, glass and clay, with its colours, blends and new decorations.

It’s a design that started out by studying the geometrical shape of a square, decomposed into its smallest primary forms, such as triangles and trapeziums which become architectural-like structures. The iridescent surface and patterns, engraved by hand emphasise the visual and tactile aspects of these.

The colours are the result of research on unifying the nature of the territory with tradition, culture and material.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.

Sumi-e Lambda λ and Delta Δ are variations of the same concept, a design born from the breakdown of a square to create new geometrical structures. By cutting out a sub-module on the inside of a classic mosaic tile, small shapes were created; these were triangular for Delta and square for Lambda.

The design changes, depending on how the elements are positioned, giving rise the random and organic qualities that lighten the surfaces on which these are placed.